Posts Tagged ‘polixeni papapetrou’
The beauty of being online is finding out where you can end up as you never know who might stumble upon your work. Case in point, I have found some interesting virtual portals where my work seems to have mysteriously landed or where an interest in my work is being fostered. It’s small steps but encouraging nevertheless.
You can visit here for a preview of my new series Belco Pride, here for an interesting virtual magazine “R” (I’m in Issue 14), and Culturehall for a new initiative founded by David Andrew Frey. I’m still in the process of uploading my work (no batching tools unfortunately) so be sure to come back or visit some of the other featured artists! Interestingly each of these avenues sought me out rather than the other way around, so I’m feeling like the blood-sweat and tears is well and truly worth it (kinda weird too, since it all manifests by huddling around a computer screen in my very messy home office!)… who would have thought!?
Also on the good news front, I’ve been selected as a finalist for Head On: Australia’s Alternative Portrait Prize. The show opens the same night as Inheritance (the group show I’m participating in) at the ACP in Sydney on April 30th.
And lastly, the Josephine Ulrick and Win Schubert Photography Award was opened last weekend by Glenn Sloggett (last year’s winner) at the Gold Coast Arts Centre. The winner this year is Polixeni Papapetrou for her image Sisters Rock:
Sisters Rock (courtesy Polixeni Papapetrou)
Below is Papapetrou’s statement for this image:
Sisters Rocks is from the series ‘Games of Consequence’ 2008. In this body of work, I recreated my childhood memories of my play in worlds beyond the home to reflect upon the freedom that we enjoyed in these arcane spaces. I wanted to use the depth and complexity of the natural world as a backdrop in which I could explore some of the idyllic and darker aspects of growing up. For me, the land still represents a space without constraints and a place where children can attempt to define their individuality through their surroundings. Whether portrayed as idyllic or threatening, the landscape is still experienced as a metaphorical shelter. The sheer bulk of this landscape does not intimidate the children and they are comfortable with their own freedom. Even though the children are involved in reckless activity in defacing the natural landscape, they inhabit the landscape as their private space in which they create their own culture.
Naomi Cass from the CCP was the Judge this year and made the following comments about the work:
This was a difficult decision to make and there were a number of outstanding works in this exhibition. I’m drawn by the meeting of two strong features in the work – the one being the narrative and the other the strong formal qualities of the work – the narrative is challenging – looking at youth culture and the wanton destruction of nature and yet there is an innocence and a beauty arising from the children – formally the composition is very pleasing with an even, almost filigree like detail across the surface arising from the texture of the rock – the trees and graffiti and against this is the foreground middle ground and background of the landscape. The action takes place in a relatively shallow almost stage like environment with massive gestural rocks in the background – this work is both beautiful and sad.
The Josephine Ulrick and Win Schubert Foundation for the Arts also provides an additional $10,000 for works to be purchased for the collection. This year’s acquisitions are:
Congrats to all. It is an honour to be considered and shown alongside some of Australia’s best contemporary photographers. The show continues through to May 17, 2009.